Electronic Music vs. Live Instrumentation

popular female electronic music pioneers.

Electronic Music vs. Live Instrumentation

10 Female Electronic Music Pioneers You Should Know

Electronic music has long been indebted to female pioneers, so to give due recognition, we highlighted the work of the greatest female innovators of electronic music, together with acknowledgements of their contributions.
Gudrun Gut
Gut has released a lot of fascinating music, both with her band Malaria! and solo, as well as founding her own label, “Monika Enterprise.” Her album “Wildlife” evoke the atmosphere of the dark German forest, and also includes a cover of Tina Turner’s “Simply the Best.” There’s a podcast made for “The Wire” about her career.
Daphne Oram
The BBC’s Radiophonic Workshop was one of the world’s great centers of electronic innovation throughout the 1950s and 1960s, and its senior member was Oram. She was experimenting with electronic music as far back as the 1940s, and by 1959 she has her own purpose-built studio and her own drawn sound system, which she called “Oramics.”
Delia Derbyshire
Derbyshire is a contemporary of Oram at the BBC Radiophone Workshop, and one of the most fascinating figures in 20th-century music. Derbyshire is best known for her amazing 1963 arrangement of the theme “Doctor Who,” which is one of the first entirely electronic pieces of music to be used on TV anywhere. In addition, “Blue Veils and Golden Sands,” the soundtrack for a 1967 documentary on the Tuareg people of the Moroccan desert, is particularly beautiful.
Charlotte “Bebe” Barron
Barron and her husband Louis created the world’s first entirely electronic film score, the 1956 soundtrack to “Forbidden Planet,” which was created in the couple’s New York studio on home-built equipment. The studio itself may well have been the first electronic studio in the U.S., and attracted famous people such as John Cage, Tennessee Williams and Anais Nin.
Wendy Carlos
One of the earliest proponents of the synthesizer, Carlos’ unexpectedly popular 1968 record “Switched-On Bach” ? a collection of Johann Sebastian Bach’s pieces, all recorded on an early Moog synthesizer ? was a significantly important step in introducing the whole idea of electronic music to the general public.
Annette Peacock
Peacock was recording experimental electronic rap as far back as the early 1970s. Her remarkable 1972 album “I’m the One” was as innovative as it was strange, combining elements of free jazz, free-form poetry and psychedelic rock to create a record that still sounds surprisingly contemporary today.
Clara Rockmore The theremin is probably the most sci-fi musical instrument every invented, and few people played it better than Clara Rockmore. Rockmore was a violin prodigy in her youth, and became the foremost exponent of the theremin, collaborating with the inventor to improve the design and creating techniques that are still used today. Laurie Spiegel After working with synthesizers throughout the 1960s, Spiegel was one of the first musicians to grasp and embrace the possibilities offered by the advent of computers. She experimented with algorithmic composition, and shared what she learned in the form of software like “Music Mouse,” an intelligent synthesizer program for home computers. Pauline Olivares While Radiophonic Workshop was actively promoting the creative field in England, the San Francisco Tape Music Center was doing the same in America’s west coast. Pauline Oliveros was one of the first, pioneering members and eventually, she became its director when to moved to Mills College in Oakand. Laurie Anderson Anderson’s innovative approach to music has seen here invent several of her instruments, especially the tape-bow violin, which uses magnetic tape instead of horsehair. She was featured in a 1977 compilation “Women in Electronic Music” (together with Oliveros and Spiegel) and 35 years later, she is still as inventive as ever.

recommended useful sites about